Nikki Sixx Says He's Done With Albums — Ohio's Own 'Album' and 'Tomorrow' Beg to Differ

Every so often the metal news cycle hands you a headline so perfectly suited to a local pun that you'd be a fool not to run with it. This week it's Mötley Crüe bassist Nikki Sixx, who told an interviewer in no uncertain terms that he's essentially retired the concept of the full-length record. Meanwhile, sitting quietly in the Ohio Metal Index database, we've got a thrash outfit literally named Album and a doom act called Tomorrow. The universe has a sense of humor, and this week it's pointed squarely at the Buckeye State.
The Death Of The Album? Not In Ohio.
Sixx, asked about his favorite records across Mötley Crüe's four-and-a-half-decade run, didn't just wax nostalgic — he used the moment to declare his broader philosophy on the LP format itself. "I don't believe in making full-length records anymore," he said, a statement that's been rattling around the industry all week. It's a defensible position for a band with Mötley Crüe's mileage, streaming numbers, and singles-first economics. But it's worth remembering that the album-as-statement is still very much alive in the underground, where bands don't have the luxury of chart strategy — they just have songs that need to exist together.
Case in point: Ohio thrash band Album, whose very name is a small act of defiance against exactly the kind of thinking Sixx is espousing. You don't call your band "Album" if you're chasing algorithmic singles. That's a statement of intent — the same intent driving Cleveland-adjacent thrash crews like Sourblood and Thrashantos, or Columbus's own Social Decay. The full-length still means something down here, even as legacy rock royalty publicly walks away from it.
Grief, Bright And Beautiful: Mastodon's 'Marrow Deep' And Ohio's Doom Reckoning
On the other end of the emotional spectrum, Mastodon's Troy Sanders, Brann Dailor, and Bill Kelliher sat down with SiriusXM's Eddie Trunk this week to talk through the personal tragedies that shaped their upcoming album, "Marrow Deep," due August 28 via Loma Vista Recordings. The band was candid about turning real loss into something that could stand as both catharsis and craft. As Sanders put it during the conversation, it "made sense" to "turn these dark things" into something the band could actually offer back to listeners — bright and beautiful, in his words, rather than purely bleak.
It "made sense" to "turn these dark things" into something bright and beautiful.
That's basically the mission statement of doom metal, and Ohio has never lacked for practitioners who understand the alchemy of grief into riff. Ohio doom metal band Tomorrow works in that exact register — slow, deliberate, and unafraid of sitting in discomfort long enough to find something worth saying. The same current runs through Slow Wake's post-metal atmospherics, the sludge-caked despair of Traitors Return to Earth, and the death-doom weight of Dark Century. If Mastodon's newest record is proof that mainstream heavy music can still process real human loss without flinching, Ohio's doom underground has been doing the same work in basements and DIY venues for years — just with a lot less press coverage.
Full-Album Sets Are Having A Moment
Elsewhere in the news, Behemoth's Adam "Nergal" Darski is doing something genuinely unusual: teaming up with Icelandic black metal band Misþyrming to perform Behemoth's 1995 debut, "Sventevith (Storming Near The Baltic)," in full at the 2026 Hellsinki Metal Festival. It's being billed as the first time the album has been staged as a complete conceptual work, and it's a reminder that anniversary full-album sets remain one of the most reliable ways to get old-school heads back through the door.
Ohio's black metal scene doesn't have a Hellsinki Metal Festival slot to announce this week, but the appetite for that kind of deep-catalog reverence is very much present in acts like Impudent, Mourning by Morning, and Triangulum, all of whom build sets and releases with the kind of conceptual weight that makes full-album performances worth the ticket price. If you're the type of fan who cares whether a band treats its debut as a relic or a living document, keep an eye on upcoming shows around the state — Ohio's black metal underground has been quietly building toward its own milestone-worthy catalog for a while now.

The NWOTHM Gap: Where Ohio's Traditional Heavy Metal Underground Fits The National Conversation
This week's headlines were also stacked with legacy hard rock and traditional metal news that, taken together, sketch out a pretty clear trend: the old guard is still actively writing. Swedish rockers Thundermother confirmed their new album "Mothers Of Thunder" for February 2027, with lead single "Bimbo Boost" landing in September. Australian hard rock institution Rose Tattoo's Gary "Angry" Anderson says he's got "so many new songs" banked for a possible late 2026 or early 2027 album. German power metal veterans Iron Savior just announced "Deathbringer" for November 13, 2026, and In Flames frontman Anders Fridén confirmed the band's fifteenth studio album already "sounds amazing" even before mixing.
None of these bands are new, but the throughline is unmistakable: traditional, riff-first heavy metal isn't going anywhere, and it's still commercially and creatively viable in 2026. That matters for Ohio specifically, because our heavy metal and NWOTHM scene has been one of the most underrepresented corners of the regional underground despite having real depth. Bands like Animal, Arena, and Leather are working the same vein as these European and Australian legacy acts — big hooks, real solos, no irony. Add in Mistreater, Chastain, Strychnine, Stutz, Mothers Worry, and Voidgazer, and you've got a genuinely deep bench of Ohio metal bands playing in a lane that national outlets consistently under-cover. If you're building a list of the best metal bands to watch out of the Midwest heading into next year, this is where you start looking.

A Loss Worth Noting
Away from the album cycles and festival bookings, some sadder news landed this week: Scars Of Tomorrow vocalist Mike Milford has passed away. The metalcore and hardcore community runs on a tight web of shared stages, shared vans, and shared scars — pun very much intended given the band's name — and losses like this ripple through touring circuits far beyond wherever the band called home. It's worth a moment of respect from anyone who's ever stood in a pit at 2 a.m. wondering why they still do this. They do it for exactly this kind of community.
What's Actually Coming Down The Pipe
For anyone trying to plan out a 2026 concert budget, there's plenty to track. Three Days Grace frontman Matt Walst confirmed the band has "already started getting ideas together" for a follow-up to "Alienation," which only dropped in August 2025 — a fast turnaround by mainstream rock radio standards. Within Temptation's Sharon Den Adel confirmed the follow-up to 2023's "Bleed Out" will still carry political lyrics, noting bluntly that "the world has gone crazier" in recent years. And The Pineapple Thief announced "Far And Wide" for an October 9, 2026 release, continuing their run as one of prog rock's most consistent working bands.

None of these acts are Ohio-based, but they're exactly the kind of bands that eventually route through Columbus, Cleveland, or Cincinnati amphitheaters and clubs when the touring cycle kicks in. If you're the kind of fan who searches "metal concerts near me" every few weeks hoping something new pops up, this is the moment to start paying attention — 2026 is shaping up to be a genuinely loaded year for metal bands touring nationally, and Ohio venues tend to catch a healthy share of those runs.
In the meantime, the real work is happening locally. Thrash records are still being written under the name Album. Doom is still being processed under the name Tomorrow. And an entire underground of NWOTHM revivalists, black metal conceptualists, and grief-forged doom bands is quietly proving that whatever Nikki Sixx believes about the album format, plenty of Ohio bands never got the memo — and they're better for it. If your band belongs in this conversation, submit your band and let's get you on the map.